The Pro‑C compressor and Pro‑L limiter, for instance, feature not only conventional gain‑reduction, input and output meters, but a scrolling histogram that allows you to visualise these parameters over time. All of them look great, and do a good job of displaying the information you need to see in a meaningful yet compact fashion. This is most immediately apparent in the beautifully slick interface, many features of which are shared across all three plug‑ins. ![]() ![]() Dig beneath the surface, however, and it becomes clear that much thought has gone into the design of Pro‑C, Pro‑Q and Pro‑L. And at first glance, Fabfilter's take on this triumvurate looks pretty traditional, consisting, as it does, of a stereo compressor, a parametric EQ and a single‑band, brick‑wall limiter. With so many mastering processors already on the market, is there room for another compressor, EQ and limiter? Fabfilter certainly think so.Īlthough there have been some innovations in recent years, mix bus and master processing still has the Holy Trinity of compression, equalisation and peak limiting at its core.
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